Multicore

Kalimoto have quite a unique sound, as anyone who has seen them live, or heard their cd's or mp3's will testify. Their sound might even be described as a testament to a variety of influences, although these influences are not always so obvious. Some critics have described the band as "goth", others as "indie pop", others as "alternative rock", others as "funky space rock"!

Reviewers have made various comparisons as diverse as Mansun, Verve, Coldplay, Doves, Clash, U2, Chameleons, The The, The Jam and Oasis right through to Simon & Garfunkel to DJ Shadow even.....

If you've not heard them, check them out and judge for yourself! I think you'll agree, they are difficult to pigeon-hole and great to listen to.

While Wolfgang Mozart showed an amazing aptitude for music very early in life, he also displayed an absolute affinity for women. His charm was alluring, earning him the title, "The Most Kissed Boy in Europe."

Unfortunately, his adorable charm began to fade when, at age seven, he proposed to the future queen of France, Marie Antoinette, and was rejected. Things got worse when his girlfriend and the love of his life forgot him after his absence during a musical tour of Europe. She didn't even recognize him when he entered the room. Ouch.

Imagine, were he alive today, young Mozart could have tried courting 21st Century-style with a date at the movies. This teen was the type of courter who, eager to scoop a handful of bosom in the dark theatre, would employ the "stretch and clutch" maneuver.

This is a smooth and delicate movement where the suave pubescent pretends his arms need a stretch. After slowly lifting his limb closest to his target, he reaches around to her furthest shoulder and casually rests his hand there. Little by little he begins to feel the overwhelming force of earth's gravity as his hand creeps down.

This tactic sometimes backfires, leaving a buttery hand print across the attacker's doleful face and an angry phone call from the girl's father. In the event his device failed, he would have simply pursued her sister. It worked for him back in the 1700's!

Well, sort of.

His wife, the sister of the first "forgetful" girl, was described by him as "not ugly, but in no means a beauty." He went on to write, "She is not witty but has enough sound common sense to enable her to fulfill her duties as a wife and mother." Again, ouch!

Enough of Wolfgang. One fellow who never had any romantic charm to begin with was Franz Schubert, nicknamed "Little Mushroom" for his chubby stature, little round glasses, and shy, geeky nature. A crummy catch for most girls , he was a poor composer who couldn't even afford his own piano and composed his piano works on a cheap guitar.

At one point he thought the best way to woo a potential sweetheart was to write her a love song. Unfortunately, he couldn't sing to save his life ever since his voice broke at age 16. He devised a scheme where his friend, Schober, a handsome tenor, sang the tune to the girl with Schubert's piano accompaniment. Much to the mushroom's dismay, when the song was finished, the girl embraced Schober!

If only he were born in the mid-1900's, Schubert would have been much more successful in catching girls with his music. All he would have to do was holler out the song himself, strum a few chords on his Fender and gaze at her through his groovy, John Lennon-style glasses. The guy would have been a babe magnet, and I'd still love his music, be it changed.

Peter Tchaikovsky had disastrous relationships. His first marriage lasted only 9 weeks, which resulted in him trying to kill himself. Other affairs didn't get much better. He finally met a wealthy 46-year-old widow, but their relationship never went past writing letters for 14 years. They met once by pure accident and were so embarrassed that they ran in opposite directions.

Peter would have done very well had he the chance to date on the Internet. Thousands of on-line dating and matchmaker services offer a highly selective process in which the seekers specify the personality, physical appearance , income bracket and other details of themselves and their potential mates. Peter was a handsome lawyer who dressed very well and had expensive taste. This successful and famous musician was also sensitive guy who wasn't afraid to cry. This hunk would have cleaned house on www.composerdate.com.

Even if he chose to continue his relationship with the widow on-line, it would've saved him oodles in postage stamps and would have been much quicker than mail delivery in 1880's Russia. Maybe he could've gone a step further and picked up the phone, or even hopped on a plane to take a visit! It's these modern-day miracles in technology that could have bridged an awkward gap in poor Tchaikovsky's love life.

As I write this I think of what my love life would have been like if I lived in the time of the great composers. Chances are, I would've married for money, or worse, against my will, and life as a woman would have meant serving my husband and fifteen-plus children. At least my corset would've had me too breathless to complain...

Even though life seems to be more complicated in the 21st Century than ever before, I'm blessed to have a relatively simple life with endless opportunities and to have found love. It's not romantic, but it's simple, it's real and it's mine.

**Rhiannon Schmitt (nee Nachbaur) is a professional violinist and music teacher who has enjoyed creative writing for years.

She currently writes columns for two Canadian publications and Australia's "Music Teacher Magazine." Writing allows her to teach people that the world of music is as fun as you spin it to be!

Rhiannon's business, Fiddleheads Violin School & Shop, has won several distinguished young entrepreneur business awards for her commitment to excellence. Her shop offers beginner to professional level instruments, accessories and supplies for very reasonable prices: Visit http://www.fiddleheads.ca

Rhiannon is also Founding President of the Shuswap Violin Society which promotes violin & fiddle music and helps young musicians in need: http://www.violinsociety.ca

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Malus Clothing - Latin For Evil - T-Shirt

The difference between the Basic, the Intermediate and the Advanced levels of dancing proficiency are defined by more than just their core curriculums. In the aviation world, for example, it is the difference between driving an airplane and flying one! A basic pilot can fly straight and level, climb, descend, and turn. An intermediate pilot can combine these basic "stick and rudder" airwork fundamentals with good airspeed control and make acceptable take offs and landings; however, only an advanced pilot can take full advantage of his airplane's capabilities by being able to fly it safely to the edge of its performance curve. Switching our focus now from the cockpit back to the dance floor, let's put the Basic, Intermediate and Advanced levels of swing dancing into their proper perspective by looking at them within the context of the four stages of awareness in the process of learning to dance.

1) UNCONSCIOUS INCOMPETENCE: At this first stage of awareness, a dancer has never given the subject of swing dancing any conscious thought. He has never been formally introduced to it and, although he may be quite adept at other styles of dancing like freestyle or Country and Western, for example, until he takes his first Basic level swing dance class, he is really at a stage of unawareness because he is simply unconscious of his incompetence.

2) CONSCIOUS INCOMPETENCE: At this second stage of awareness, the new male dancer or "leader," has been formally introduced to swing dancing at his club and he now fully appreciates its social and recreational potential. He has taken several Basic level classes but he realizes that his performance is marginal at best and that he needs to take many more swing dance classes and workshops to sharpen his skills. He is grateful for any helpful tips that might improve his dancing; for example, he may determine his lead hand by looking to see which thumb and forefinger form the letter "L." This is the awkward stage for the new swing dancer. His hand-leads are generally too strong and his body movements tend to be too stiff and mechanical to suit all but the least experienced of his female partners or "followers." At this point in his training, he is more prone to be repeatedly answering the question: "how long have you been dancing" rather than "where do you dance." All in all, the conscious incompetent clings to his patty-cake, the think-step pattern like a new western horseback rider clings to his saddle horn.

3) CONSCIOUS COMPETENCE: At this third stage of awareness, the male dancer has completed all of the Basic and Intermediate level classes offered by his club, and he is now an accomplished, well rehearsed dancer. He almost always executes his triple step footwork flawlessly in every direction to varying tempos of the music; he seldom misses that important "3 and 4" count of his footwork that often eludes less experienced dancers, and he has developed a gentle yet firm lead that guarantees him a willing partner for every dance. All in all, he has developed into a smooth dancer who confidently performs the different swing patterns that he has learned over the years. The conscious competent leader knows what he is doing!

4) UNCONSCIOUS COMPETENCE: At this final, fourth stage of awareness, the male dancer has achieved the highest level of proficiency where he has cultivated a signature style that transcends being well rehearsed; instead, he has become just as intimately familiar with each inherent part of the patterns that he has learned over the years, as he is with the overall patterns themselves. As an advanced dancer, he can intuitively "mix and match" the specific handwork and footwork elements of different patterns to create new patterns, and he has the versatility to frequently intersperse steps from other dance disciplines to physically embrace the beat of the music. His extensive knowledge of the dance, combined with his fluid lead authority enables him to maneuver his partner to the edge of her capabilities so that as a couple, they are able to consistently deliver award winning performances. Simply put, the unconscious competent is the dancer that the dancers enjoy watching!

TEACHABILITY INDEX: How quickly a new dancer progresses through these four stages of competence depends upon how "teachable" he or she is! All of us may compute our own Teachability Index (TI) which is the product of the following two variables that are rated on a scale of "1" (lowest) to "10" (highest): our Willingness To Learn (WTL) and our Willingness To Change (WTC). If our willingness to learn how to "dance centered," for example, is a 10, but our willingness to change our body positioning to accomplish this goal is just a "5," then our Teachability Index is only 50% (WTL x WTC = 50)! In other words, the maximum effort that we made in class to LEARN the correct way to "dance centered" is half wasted if we are not willing to CHANGE the way we lead our partner! Always remember that both learning and change are the inseparable, twin handmaidens of dance proficiency.

Copyright 2008 by Skip Culver, Certified Swing Dance Instructor. Member of the West Count Swing Dance Club and author of the manual: Imperial Swing Dancing - visit: http://www.ImperialSwing.com

Henry H. "Skip" Culver, Jr. is a member of the West County Swing Dance Club in St. Louis Missouri. He is a Gold Seal Instrument Flight Instructor and the author of the bestselling book on navigation titled: IFR 'Pocket Simulator' Procedures that was selected as the Main Selection of the Jeppesen Aviation Book Club. In 2000 Skip turned his attention from aviation towards the dance floor. He became a Certified Swing Dance Instructor in 2004, and then with over seven years of detailed notes from various classes and workshops in hand, he began assembling the Imperial Swing Dancing manual which he published in June of 2007. Skip is a frequent contributor of articles on swing dancing to different club newsletters throughout the United States.

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Antonio Carlos Jobim: An All Star Tribute

WINNER OF...
1995 JazzTimes Reader Poll- Best Video- First Runner Up

Direct from Brazil in his last recorded performance, Antoine Carlos Jobim (1927-1994) is joined by an international delegation of jazz giants to recreate his classic melodies in a beautiful, concert-length “Thank You.” With over four hundred songs to his credit including the unforgettable Girl From Ipanema, Jobim virtually single handedly brought the world Bossa Nova by adapting the percussive excitement of the samba to the intimacy of the guitar while echoing the melodies and harmonies of Cool Jazz. This classic, concert-length "Thank You" includes: Girl From Ipanema, Once I Loved, O Grande Amor, No More Blues, Wave and more
Customer Review: Farewell To A Legend
"Tom" Jobim died only a few months after this concert, so it was one of his last performances. He was truly a legend and if you love music you really need to acquaint yourself with his. Beautifully complex rhythms and harmonies that do not wear thin with repeated listening--the hallmark of great music. Even without understanding the lyrics his music evokes combinations of deep emotions, including a sad/sweet longing that has no English translation from the Portuguese. I'll not mention all of the artists that appear in this concert, but only draw your attention to Gal Costa, who has become one of my favorite Brazilian singers. Check out her earlier CDs. You will not be disappointed!
Customer Review: Impressive
Before watching this DVD I had never heard of Gal Costa. What a pleasant surprise to see her perform. Antonio himself appears in this one for Luiza and Wave: very nice. I couldn't appreciate John Henricks performance, too much scatting and not very good. That's just my opinion. Gonzalo Rubalcaba didn't impress me either. For me, the real standout performance was by Gal Costa. She does very cool A Felicidade with Herbie; and then an amazing So Todos Fossem Iguais a Voce. Also, Herbie is an amazing keyboard player. It is as though the instrument is part of him. Buy it!

Oprah asked rock star legend Billy Joel some really good questions to learn about how the successful musician creates such stirring songs. Billy who doesn't see himself as a "rock star" didn't object to Oprah calling him a legend in his own right, though Joel doesn't consider himself the high-maintenance celebrity type.

Billy when asked which of his songs are his personal all-time favorites mentioned he considers them all as children, each dear to his heart. Joel did acknowledge however that any given day his personal favorite can change given the circumstances.

Oprah to my surprise brought up newspaper clippings about three of Joel's car accidents and asked him if he was a bad driver. Billy said, "I'm not a bad driver, I just have bad luck." He then mentioned a French car of his which was a bit awkward to drive considering the French manufacture cars a bit differently.

Billy was very transparent about his former drinking problem and being in rehab, saying it was like being in prison on lockdown with no access to anything. Being among other drunks and people with problems provided Joel some solace and therapy of sorts to cope with his own problems he acknowledged.

Joel looked a bit uncomfortable when Oprah brought up the age difference between he and wife. Billy Joel married his wife, chef Katie Lee, in 2004 when she was just 23 years old and he was 54. Katie was only five years older than his daughter.

Oprah probed a bit about Joel's relationship with ex-wife and supermodel Christy Brinkley, which Joel said they have agreed to get along for the sake of their daughter.

Undoubtedly Katie was the shining personality on the couch with Oprah and did a great job taking the cameras through their lovely New York home, during which she often referred to Billy as "my husband" in somewhat strange fashion.

The two hit it off in New York when they discovered each other's love for food and Billy swept Katie off her feet no doubt with some love songs and lavish romance. Billy laughingly said concerning their meeting, when he invited Katie to have a drink with him: "That was one time drinking came in handy."

Oprah definitely didn't hold back during this interview. Billy Joel looked and seemed a bit uncomfortable during some of the questions, which kind of felt like an interrogation for me as a viewer. I hope he sells a lot of CDs for having to endure that interview.

One question I would have liked Oprah to ask of Katie Lee was, "How did being turned away and refused entry into Diddy's annual White Party make you feel?"

Billy Joel's wife Katie Lee was turned away from Diddy's annual White Party, because she was dressed in cream. The hip-hop mogul had a strict white dress code at the end-of-summer bash at his Long Island, New York, mansion and made sure his bouncers enforced the fashion rules.

I guess Oprah felt Billy could handle it considering he's been around the block a bit compared to his young and kind hearted bride. Interestingly, when Oprah asked Billy about any early opposition to his song "Only the Good Die Young", Billy said a bit of Catholic church opposition helped his popularity among the youth and increased sales.

Undoubtedly opposition, persecution, and even a bit of bad publicity can help musicians and fading celebrities.

I wish Katie and Billy all the blessings of heaven and earth.

Paul Davis is a highly sought after worldwide professional speaker, purpose coach, and change master transforming organizations and empowering individuals to live their dreams.

Paul is the author of several books including United States of Arrogance; Poems that Propel the Planet; Breakthrough for a Broken Heart; Adultery: 101 Reasons Not to Cheat; Are You Ready for True Love; Stop Lusting & Start Living; Waves of God; Supernatural Fire; God vs. Religion; and many more!

Paul's compassion for people & passion to travel has taken him to over 50 countries of the world where he has had a tremendous impact. Paul's organization Dream-Maker Inc. builds dreams, transcends limitations, & reconciles nations.

Contact Paul to speak at your event or for consulting:

RevivingNations@yahoo.com
407-284-1705

http://www.PaulFDavis.com

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Esperanza

"Esperanza," bassist/vocalist/composer Esperanza Spalding's debut on Heads Up International, is set for worldwide release on May 20, 2008. Armed with uncanny instrumental chops, a siren voice that spans three languages, and composing and arranging skills that weave together the best elements of the old-school with the progressive, this 23-year-old has crafted a debut album that takes a completely fresh and refreshing approach to jazz by borrowing from the rich traditions of soul, pop, world music and so much more.

Esperanza is joined in the studio by a crew of A-list session players, including flamenco guitar virtuoso Niño Josele, percussionist Jamey Haddad, drummer Horacio "El Negro" Hernández, saxophonist Donald Harrison and several other seasoned talents - all of whom collectively serve as further evidence of the kind of creative energy and magnetism that she radiates.
Customer Review: Can't get it out of my head
I'm no musician and cetainly no jazz expert. I just love beautiful, interesting, melodious music. This album took my breath away. Every time that I listen to it, I hear something new that catches my ear. The album seems to be packed with talent, but that combination of voice and bass is something else altogether.
Customer Review: Pure Talent
Ms Spalding is an incredible talent. She has been blessed with both an amazing musical ability and is already an accomplished college instructor. Take advantage of the opportunity to see her perform if she happens into your area.

The first dance at a wedding has traditionally been a slow dance, usually a waltz or something similar. But what if you and your fianc aren't the waltz type? What if you want something more fun and energetic? You've probably thought about this quite a bit and are wondering if it would be too odd to do something different. Would it be better to just go ahead and do a waltz and forget about it?

Absolutely not. If you want to do something different for your first dance, then you should. Your family and friends know you, and they love you. They want to see you dance in a style that reflects your love for each other, to a song that you love. Odd would be watching a lively, energentic couple waltzing their way through a song they don't like very much just to get to the rest of the music and have some real fun.

If you come out and do a Cha Cha for your first dance, on the other hand, not only will the whole room cheer, but it will be a first dance that nobody, especially you and your new spouse, will ever forget. You'll have a fantastic time doing it and your friends and family will be absolutely entranced.

Nearly any style of dance can be customized to fit into your wedding. If you want to do a classic dance, a Foxtrot or Quickstep can be adjusted so that your dress doesn't get in the way. If you want to perform a dance that's more passionate, but aren't sure if it's appropriate for your wedding, that's nothing to worry about. Even a passionate dance such as a Tango or a Rumba can be toned down a bit if you like.

When you and your fianc come in for your wedding dance lessons, remember that this dance is being customized just for you. If there is a step you are having difficulty with, we can work on it until you've got it or we can change things a bit to make it easier. If there is something that you don't like or aren't comfortable with in the original choreography, that can be modified as well.

If you would like to do a different style of dance for your wedding dance, but want your family to join you as well, consider choosing two songs for your first dance. You and your new spouse can perform your first dance on your own during the first song, then the DJ can invite your friends and family to join you on the dance floor for a more traditional dance style when the second song begins.

When you're at your wedding, remember that more than anything your family and friends are there to celebrate with you. They want to see you and your new spouse enjoy yourselves and have a wonderful time on your special day. Nothing could be more lovely and more memorable than sharing a bit of your hearts with the people you love by performing a dance that truly reflects the love you feel for each other.

Learning to dance is the same as any new skill. It takes patience and practice. Unlike other skills though, dance lessons are fun at every stage. Yes, it becomes more fun the better you get, but all beginners in my lessons have fun right away.

So if you are having fun right away, imagine how much fun you have when you can move your body confidently on the dance floor. Dancing really is a great way to get fit, meet people, improve your confidence and have fun. For private or wedding dance lessons visit my site: http://www.dancevogue.com.au/

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THE POSTAL SERVICE - SILHOUETTES - T-SHIRT

Every true life rock n roll television melodrama has the same scene: the unknown artist/band gives their freshly cut 45rpm single to the local disc jockey. He spins it on his top 40 radio showand a star is born. This legend has been passed down through the generations of wannabe popstars like an ancient family recipe. The ingredients may differ, but in the end you get the same glorious results: radio play equals fame and fortune.

But does this Top of the Charts fairytale still apply today in the sardonic post new millennium world we call today? Can a band in our current music scene walk into a radio station with a CD single in their hot little hands, impress and wow the DJ with their enthusiasm and chutzpa, obtain the magic and golden FM radio spins and then ride the wave of success all the way to Graceland? Well, then, I guess the real question would be, Do you believe in fairytales?

Unfortunately, the music industry, like the entire Earth, has become so overpopulated and so oversaturated with artists, music, CDs, and radio stations/shows of all kinds, that the chance of your own personal radio fairytale coming true is probably slim to none. But, dont give up on your favorite audio media outlet. Radio may not catapult you to instant superstardom but it certainly can help to push you down the path to success.

The following are a few tips that will help you to make your own music fairytale and get your music heard throughout the airwaves:

1.) Get Out Of Major Market The Top 40 Station Mentality---There was a day when getting played on a big city Top 40 radio station was like winning a gold medal at the Olympics. Bands that were chosen for play were handpicked by the voices of the airwaves whose ears were finely tuned to pick out the next new rising star. Today, things are a little different. Radio has become a huge corporation with three major conglomerates owning most of the stations in the United States. Sadly, Disc jockeys are no longer the innovators their predecessors were. Station management hands down a playlist (made exclusively of artists signed to mostly major labels) and the voices you hear on your radio are just thattalking heads animating a script. Its nearly impossible for an unknown band to break into mainstream large metropolis radio and a waste of your time and money to send packages blindly to a medium that will more than likely reject you again and again.

2.) The Specialty Show Is Your Ticket In---Still determined to get played on that hot radio station with 10 million listeners and a celebrity DJ? Well, there is a backdoor that you may be able to slip through. Its the specialty show. Many huge stations feature a weekly show structured just to highlight the little guyto showcase unsigned artists from that stations area and sometimes beyond. These shows are always worth sending your press package to, as they tend to base their playlist on your music and your credentials on not on the typical corporate artist roster. This is where you just might wow that innovative disc jockey and garner play on some of Americas biggest stations.

3.) College Radio Still Rocks---One area of radio that has stayed unaffected by the huge corporate retooling is the college/university station. Unlike companies/labels deciding what the listening audience thinks is cool or hip, college radio DJs and program directors are still setting their own cutting edges, breaking new artists, and finding the hot fresh stars of tomorrow hiding in their local clubs, coffee houses and garages. Its always beneficial for unsigned artists to send as many CDs (or email as many MP3s, if the station will accept that medium) to as many college stations as you can find. You will find stations to play you and people will be listening. This could lead to new fans, tour possibilities, and will definitely look fantastic on the radio page of your website or EPK. Whether or not it will actually make you a rockstar, it will sure make you feel like one.

4.) The Unlimited World Of Independent Radio---Back in the early days of radio, indie stations were limited to audio pirates in their basements stealing airwaves from unsuspecting Top 40 giants. Now, thanks to the internet, satellites, cell phones, iPods and cable TV, independent stations outnumber their AM/FM constituents in the thousands and new ones are created every day. Since doing a search of indie radio stations online has been known to cause a brain embolism in some, know that you will probably never be able to solicit them all in one lifetime and just relax and enjoy sending music to whomever you can, as you will probably garner hoards of airplay. Furthermore, your wallet will grow to love you as most of these stations will allow you to submit MP3s online.

Its true that the legendary story of the unknown band that got one single played on the radio and became superstars within a month is probably as outdated as the 8-Track tape. But that doesnt mean that the process of artists soliciting music for radio play has become archaic. Radio remains, to this day, one of the best ways for musicians to promote their music and their projects in their area.and now, thanks to terrific technological advancements, nationally and worldwide. The repetition of your single in the ears of even the most jaded radio listener, may lead to: CD and merchandise sales, gigging opportunities in your city and others, visits to your website, posts to your fan club forums, potential press and even maybe industry attention. So, dont stop sending those CDs, and emailing those MP3s because the next person who hears your song on the radio might just be the one who leads, either directly or indirectly, to your much sought record deal. And who knows? You might just wind up becoming bigger than Elvis.

Sheena Metal is a radio host, producer, promoter, music supervisor, consultant, columnist, journalist and musician. Her syndicated radio program, Music Highway Radio, airs on over 2,400 affiliates to more than 126 million listeners. Her musicians assistance program, Music Highway, boasts over 10,000 members. She currently promotes numerous live shows weekly in the Los Angeles Area, where she resides. For more info: http://www.sheena-metal.com

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Shadows

Lovebang Records is an independant, New England based label dedicated to music of great heart and spirit.
Customer Review: Highly recommended - this is an oustanding debut cd
I just got this cd a couple weeks ago, and it has been in heavy rotation ever since. Some songs are reminiscent of Dave Matthews or Bob Dylan, but he has his own style. My favorite songs are the funky title track, and "Carter's Tune" which is just amazing. The whole album has a countrified, rootsy feel, and sorta mellows out toward the end. The front end is funkier and jams out - it's a great way to start the day, but the second half is also the perfect late-night soundtrack before you go to bed. I highly recommend this cd to anyone who digs quality singer/songwriter music, and there's a sincere balance between sadness and optimism in his lyrics that's hard to find. I don't know who the other musicians are on the album, but they're all really tight together and this album has become an immediate favorite.

1. Association

People need to associate with your music to something they know before they listen to anything, yet alone download anything. So make sure that you actually specify what you music sounds like. This is a fantastic way to get the "mental image download audience". By saying: "Tiesto sounding music to make your butt shake. Click here to dance for free." Is an extremely good mental image ticking all the downloaders boxes. 1. They are into that style of music, and 2. Its free. You are putting up mental images of kicking music because you have associated it with kicking artists and descriptive words.

2. Artist Pages

You have to know your audience for this to work. Hence doing prep work before you even start building a web site. Ask yourself, who actually is your audience? if you have created trance tracks you need to be building pages designed to attract trance listeners. A great way of doing this, but getting targeted downloaders is to make pages that review trance artists. If you list the "best trance artists" and then have a page dedicated to profiling each one, then you are netting a wide but targeted audience who likes trance. Then at the bottom of each page link to your own songs.

3. Placement

This is an area where I have done extensive research. First off, you need to figure out "what is your goal". Be realistic. If it is to get an album deal, then it means hard work, but if your goal is to spread your music far and wide then the actual placement of your songs on your pages will make a huge difference to downloads. If your songs are more than a few clicks away then you will not get that download.

If they are 1 click away then you will get a much better response rate. 1 click away downloads are only available if you have a nav bar that says 1. free music, 2.links on other pages that link directly to your music download page (not many people jump straight into your homepage, most will jump away from it as most traffic generated is search engine led) that state there is free music to listen to.

4. Offer a download

This may seem pretty insane, but it is strange how many people don't offer this. It is mainly because they don't say that people can download their tracks or have them tucked away from public view. Or...my personal bug bear...pay to download. I am not going into that, but all I am saying is that don't get people to pay for your tracks. You are supposed to be promoting your tracks- so don't put up a cash barrier. Offer a free album download to newsletter subscribers. This offers to spread your tracks and increases your subscriber base at the same time.

5. Pre-sell

It may sound strange, but getting the download is all to do with selling, even though you are offering something for free. You see, point 2 in combination with point 3 will get the most recognition from downloaders because they are wanting to download your song. If you go onto a site with reams of MP3s, unless you know the artist or have a love of their music them then it makes no sense to download anything- what on earth are you downloading? IamHere.mp3- what is that!?

We must realise that downloaders have a vast choice out there, so we must make their site visit pleasurable, and easy to get what they want. Having flash and "in your face" animations seem cool, but they don't really add to your pre-sell, they just annoy and don't lead the downloader to what they want.

So to increase your downloads, you must always think of pre-selling. This can be simple as putting a streaming link on your page, playing the track when someone comes onto the site (beware download rates).

Even putting a brief description with the track (key word= descriptive/ relevant/ see point 1) and even asking to rate your music (you can see then what people like and dislike- an easy tool to modify your future music creations. You could even put remixes of various artist tracks (having a page per song to get better ranking in search engines and to attract the targeted audience).

Describe what you have done, get interviews from like themed artists, appear on other artists sites...Offer something for the downloader.

Dominic Hough has created "The Complete Music Making, Marketing and Selling Bible". From idea to number 1 success, see how YOU can create a Techno smash with free music software. Click here to find out more.

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