Phenomenon

This is the ultimate critical review of Coldplay on record, on stage and on screen. In the space of just three amazing albums Coldplay have been transformed from unknowns to international superstars. Drawing on archive film and interviews with the band a team of leading music critics and working musicians reviews and assesses the music of Coldplay to reveal the secrets behind the Coldplay phenomenon. The Coldplay Phenomenon was made with complete editorial freedom. This film is not authorised, approved by or associated with Coldplay. The result is the most hard hitting and frank review of the personalities, work and music of Coldplay ever produced.
Customer Review: Phenomenon / Coldplay DVD
I bought this as a birthday gift for a huge coldplay fan, watched it with him, and was extremely disappointed that I can't return it. This is not a concert DVD. It is a "review." There are several featured songs on the DVD, but not one of them is played in its entirety without being interrupted by a "commentator." The "reviews" are well done, but in hindsight, I should have rented this before buying it.

On your next visit to Panama, Peru or Uruguay communicating will be easy as you read through the basics in Spanish.

The English vowels a e i o u remain similar in writing in Spanish. The alphabets all 29 of them are easy with an addition of 'e' e.g. Ce,de,ge and so on. A rapid one, two, three is uno, dos, tres, going upto 'mil' for 1000 and tres milliones for 3 million.

A dairy of a visitor to Spain:

The next time it rains wear un impermeable (raincoat). After sight seeing you can remove your unos zapatos (shoes) and relax in unas sandalias (sandals). Winters require un sueter (sweater) and una camiseta (T shirt) for summers.

Pan, mantequilla (Bread and butter) for breakfast and some refreshing caf or te (coffee or tea). It is wise to carry some aqua (water).

You could shop for jackets in rosado or azul (pink and blue) respectively or chose a negro (black) sueter. Morado (violet) is a velvety colour and rojo (red) is a favourite.

You could pick gifts for your esposo ( husband) or your (daughter) hija. Your aunt (tia) and sobrina (niece) will have to wait for their turns.

You will surely miss your padre and madre (pa and mom) and you may write to them. Sabado and domingo ( Saturday and Sunday) are cool days with most time resting on your (back) la espalda. With too much shopping lists in your (head) la cabeza washing your (face) la cara will freshen you. Other errands can be done on Lunes - Monday and Viernes - Friday.

The Spanish language was formed from Vulgar Latin with lot of borrowings from Basque, Iberia and Arabic. Change is seen in the language old Spanish and modern Spanish words for e.g. efeto to efecto, licion to leccion, coluna to columna etc. Latin borrowings of original Latin words like bonus and Taurus are bueno to toro in Spanish. Dialects are different as a vela becomes candela though both stand for the candle.

Today, there are many Spanish classes conducted everywhere to help people learn and enhance their compatibility to the fast moving world. It is necessary though however fluent one is in the language to understand various dialects and factors affecting the change in grammar variables. All this calls for a comprehensive study of the Spanish language.

To learn the language better, you can check some good proverbs.

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COLDPLAY Cables S/S Tee

Usher Raymond IV was born on October 14, 1978 and is best known as Usher. He is an American R&B and pop singer and actor who rose to fame in the mid-late 1990s. To date, he has sold approximately 30 million albums worldwide and has won five Grammy Awards. Usher is also a part owner of the Cleveland Cavaliers National Basketball Association franchise. He also has his own record label, US Records.

No release date has been set and no title has been announced for Usher's fifth studio album. It was originally scheduled to be released in November of 2007. Songs for the album have already been recorded with Jermaine Dupri, T-Pain, Dre & Vidal, and Polow da Don. Other producers he may have worked with but aren't yet confirmed include Kanye West, Timbaland, and Ne-Yo.

Love In This Club is already receiving massive radio airplay and the Love In This Club Ringtone is currently the most popular ringtone in the world. The track, which features rapper Young Jeezy, debuted on the Billboard Hot 100 at number 83, and has peaked at number 51 in just its second week on the chart. Love In This Club has also peaked at number 15 on the Billboard Hip-Hop R&B Singles Chart was named "Airplay Gainer" for the week of March 8, 2008. The song was digitally released February 26, 2008.

Although the track has only been released for a few days, Love In This Club looks like it will soon be a number one single in the United States. Usher's last album, titled Confessions, reached number 1 on the Billboard Hot 200 chart and it looks as though Usher's upcoming 5th album will have similar success. Look for the Love In This Club music video to debut on YouTube and MTV in the coming weeks.

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Leadsinger LS-3C07 R&B, Motown, Latin Cartridge for LS-3000 Series Karaoke System (200 Songs)

200 songs for your Leadsinger LS-3000/LS-3700 portable All-In-The-Mic karaoke system / Contains songs from Stevie Wonder, Nat King Cole, Enrique Iglesias
Customer Review: Great Karaoke System
This cartridge adds 200 songs to the basic system. I has a good variety of music that I like. I highly recommend it.

This may sound simple but you simply must take lessons and if possible take two or even three a week if you can; especially at the start.

Why do we recommend you take so many lessons each week? Salsa music is complicated, may beats interwoven, and it takes time to tune your ears and feet to the rhythms.

By taking so many lessons at the beginning it reinforces what you are learning and will pay big dividends later on in the learning process.

When starting to learn Salsa its better to join a group lesson; private lessons are great for working on specific parts of your dancing but you will not get them most out of them until you have the basics down.

When joining a group lesson pick one for your level; its better to under estimate your ability than over estimate it.

There is nothing more off putting then arriving at your first lesson and find yourself out of your depth; surrounded by come dancing contestants!

Some tips on choosing the right group to learn with.

1) A class that runs for 6 to 10 weeks at least once a week.
2) The lessons are progressive; this is where you build up each week on the moves learned.

In your firs couple of months you should look too:

2 progressive classes each week

1 night out practice session at a club or event

1 private lesson after approx 5 weeks or more not essential but great to work on specifics.

Your First Lesson

Well done you have made it to your first class. May be you have come on your own or brought a dance partner. One thing we can guaranty is that you are feeling nervous.

You are worried that you have no rhythm, that you have two left feet which are on backwards. Most of all you are worried about falling flat on your face not able to dance Salsa.

As this is a beginners class look around you will see every one is looking and feeling exactly the same. You are not alone.

Remember its about having fun Its not a competition.

Here are some basic rules about lessons you should stick to what ever your level.

1. Find a teacher that suits you, its not one size fits all. There are many Salsa teachers and many ways to teach Salsa each person needs different things to enable them to learn. If your first teacher dose not do it for you find another. Your learning so get the most out of it by having a teacher and class that suits you.

2. Stay focused on what is being taught. This may sound a little simple but if you only have an hour to learn why waste it on chatting; you can do that after at the bar.

There are 1000s of distractions in class, your partner, other class members, that new cute dance partner that your about to dance with. Remember youre paying to learn Salsa; get your moneys worth.

3. Swap partner during the lesson. Yes thats right dance with different people. You may have come with a friend or significant other and want to dance with them. If the instructor is asking you to rotate your partners join in.

Why do this? it will speed up the learning process and get you used to dancing with different people; you will be doing this in the clubs. The major benefit is learning to lead and read a lead; by changing partners it will teach you to make the connection with your dance partner which will make your Salsa experiences much more pleasurable.

4. Face the same way as the instructor you are trying to follow. This will simply help you pick up the moves they are teaching much quicker. Sounds simple but you will be amazed out how many people dont do this.

5. Count out loud yes in the classes count out loud this is the one thing you should do all the time in class. I stress do this in the class so you dont have to do it in the Salsa club where it would not be accepted.

Both you and your partner should do this in the classes. Dancing in time to the rhythm is the most important part of dancing salsa. The simplest of moves or sequences look amazing when danced in time with the music.

6. Write down the move or sequence. Give your self time at the end of the class to write down what you have learnt. You will quickly develop a short hand for the different turns and moves that make up a sequence.

Dont ever stop doing this at what ever level you are at. I bet your instructor writes down the new sequences they learn. Again a very simple idea but it will speed up your learning no end.

Ok here is something that you need to understand it will take approximately 2 months to start find you feet. Some people are quicker but every one has that moment of enlightenment eventually when they feel the Salsa rhythm in their sole and the feet begin to follow.

We have said this before its about having fun not competing.

Lee has been dancing salsa for over 3 years and enjoys travelling all over the world to learn more about salsa dancing. He is the webmaster for http://youcansalsa.co.uk a Cuban Salsa dance website.

Did you find these tips useful? If you would like to find out more about Salsa dancing please visit http://youcansalsa.co.uk and discover how you can learn to dance salsa and be a hit on the dance floor!

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Sonido Amazonico!

Chicha is the name of a corn-based liquor the Incas distilled in the days before The Conquest, and the word's mysterious, boozy etymology makes it perfect for the musical style that bears its name. Chicha - the music - was spontaneously distilled during the culture clash of the '60s when the Indian population of the Peruvian Amazon blended Columbian cumbias with American rock & roll, particularly the twang heavy sound of surf music. With cheap electric instruments, Amazon Indians used the syncopated beat of cumbia as the foundation for melodies that sound to western ears like Andean folk music played on electric guitar supported by Tex-Mex style Farfisa. When the Indians moved to Lima, chicha became a thriving subgenre, but since the 70s the style has been dying out. Olivier Conan, owner of New York's Barbés nightclub and record label, discovered the music on a 2005 trip to Peru. In 2007, he put out a compilation called The Roots of Chicha. The music so captivated New York's downtown crowd that he put together Chicha Libre, a combo comprised of New York's musical scene makers, and started playing the old hits, and some new compositions, to packed houses. Part of the charm of the old chicha recordings had to do with their distorted, lo-fi approach, something that you can't match in a Manhattan recording studio. Nonetheless, Sonido Amazonico!, named after a hit by the chicha band Los Mirlos, is a sunny, upbeat collection guaranteed to bring a silly smile to your face. Vincent Douglas' plays a twangy guitar and Josh Camp plays a rare Hohner Electravox, an accordion-like instrument that sounds like a 70s Farfisa, anchor the band's timeless sound (the Electrovox is an electric hybrid; no air passes through it).

Like reggae, the chicha groove is so recognizable, and flexible, that almost any style of music can be played using it. The playing here has a lightness and humor that the originals lacked, but Chicha Libre's not making any claims about being authentic or keeping a lost tradition alive. They're playing it for kicks, and they supply plenty of 'em. ~ j. poet, All Music Guide

Miami might not be like Los Angeles or New York, cities where movies are continuously being shot around every corner. But, Miami has certainly had its fair share of filming. Maybe it was chosen because of the movies plot and maybe it was chosen because of its location (it hard to shoot a beach scene in Nebraska). Whatever the reason, Miamis presence in the cinema has left other Florida cities to approach, and shyly ask for an autograph. The following is a short list of Miami born movie moments:

From Justin to Kelly: How Miami outbid every other city in America for rites to this film is beyond me. Seriously, the bidding war for this must have been up there with bidding on the Olympics or the Super Bowl. A movie featuring American Idols first winner and runner-up, From Justin to Kelly was enough to make anyone go from nausea to vomiting. Yes, it was seriously that bad. I would provide a lengthy discussion of the plot, but there really wasnt one. Suffice it to say that the story line involved little more than singing, and flapping of limbs to the same choreographed routine.though, in one scene, they did dance with towels. That, in a word, was magical.

Theres Something About Mary: One of the funniest movies to ever hit the screen, this film featured Cameron Diaz as Mary, a girl who men were willing to go to great lengths to impress. These great lengths included stalking, spying, impersonating and donning a fake British accent. Ben Stiller plays Ted, a clumsy but likeable man in love with Mary; a man who wants to impress her but comes across as a little less psychotic than the rest of the fellows. A definite sleeper hit, this movie had unforgettable scenes, with laugh out loud moments. It also made us look forever differently at hair gel.

Scarface: At one time during the 1980s, nearly every teenage boy had a poster of this movie on their bedroom wall. It is a tale about Tony Montana, played by Al Pacino, who comes to Florida as a Cuban refugee. After becoming a gangster, as a result of the 1980s cocaine boom, he rises to the top of Miamis organized crime world, only to fall back down. Originally released to little enthusiasm, Scarface has since become a cult classic and one of the most recognized movies ever made; it has forever left movie fans considering it one of their little friends.

Bad Boyz: The movie that left us all wondering what you gonna do when they come for you, Bad Boyz features Martin Lawrence and Will Smith as two detectives on the Miami police force. After 120 million dollars in drugs are stolen, the two detectives are given the option of getting the drugs back or losing their jobs. They fight and squabble with each other, but their mutual love is also genuine, leading this duo to be compared to those of Lethal Weapon and Starsky and Hutch. Though this movie is far fetched - as police dramas often are - it is entertaining, fast-paced, and the action is hard to pass up. This movie led to a sequel, which was also shot in Miami.

Any Given Sunday: One of the more action-packed football films, Any Given Sunday includes a star-studded cast of both actors and professional athletes. With a portion of the movie filmed in Miami, the Orange Bowl Stadium was disguised as home turf for a fictitious football team, the Miami Sharks. Al Pacino plays an intense coach while Cameron Diaz plays an owner, and a not very nice one at that. The football movie greatly differs from heartwarming ones like Rudy or The Replacements. Instead, it shows the inner workings and politics involved with running a professional team.

Jennifer Jordan is a senior editor for http://www.milleniumlimo.com. An avid sports fan, she likes the Miami Dolphins but her heart belongs to the Denver Broncos.

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Sweet Nothings

TRACK LISTING 1. Yesterday's Tomorrow2. Old & Gray3. Love Vigilantes4. Am I Dreaming?5. Just A Game6. Angels7. Under The Blue8. Sick And Tired9. The Bird Song10. Five Minutes To Midnight

If asked to name a piano piece that is near-perfect, one noted example comes to mind for many people. That piece is Clair de Lune by Claude Debussy. Clair de Lune, the third and most famous movement of Debussy's Suite Bergamasque, has entranced listening ears for over century. It has been the inspiration for many dramatic film sequences, as well as the song "When You Wish Upon a Star" from Disney's Pinocchio.

The son of a china shop owner and a seamstress, Claude Debussy began to reveal his brilliance at the age of seven when he started learning the intricacies of the piano. He soon attracted the attention of Mme. de Fleurville, whose son-in-law, French poet Paul Verlaine, would help inspire the piece with one of his poems. Verlaine was also acquainted with Frederique Chopin, as he was one of Chopin's pupils.

Debussy began his proper musical studies at the illustrious Paris Conservatory at the age of eleven. He spent twelve years studying under the giants of the age, stealing their secrets and arguing against the rigidity of the musical theory of the day. Debussy favored dissonance, which was a thorn in the side of his more strictly harmonious teachers. His love of experimentation, however, proved to be his greatest musical asset.

Early works by Debussy were heavily influenced by both his love of Richard Wagner's operas and his general distaste for the operas of Italian luminaries such as Giuseppe Fortunino Francesco Verdi, who was one of the reigning kings of the style. Though Wagner had been dead for several years before Debussy discovered his works, a cult had grown up around his music.

Wagner's influence was not to last, though, as Debussy's pieces tended to be more introverted than the extravagant Wagnerian sounds. He wrote his Suite Bergamasque, containing Clair de Lune, in his late 20s. As a sublime example of Debussy's sensual, quiet style, Clair de Lune may be perhaps his most lasting gift to the music world.

This lustrous piece was inspired, as were his earlier pieces, by one of his friend Verlaine's poems. Verlaine's poem "Clair de Lune" contains a reference to a bergamask, a clumsy dance performed by the natives of Bergamo. The French spelling of bergamask gives the entire suite its memorable name. The name "Clair de Lune," literally translated as "moonlight," is a perfect name, since the piece gives distinct images of moonlight with its rolling notes and glorious harmonies.

Played properly, Clair de Lune requires a technical mastery of sweeping left hand movements and modulations in intensity to reach its timeless quality of melodic and counter-melodic beauty. While the piece is played mostly pianissimo, its brief journeys into louder dynamic ranges present a need for a highly-developed knowledge of the keyboard. This, combined with the ability to re-interpret the feel of the music according to one's own personality, makes Clair de Lune music that has stood the test of time. It is a piece that is constantly evolving, living and breathing in the fingers of pianists the world over.

Duane Shinn is the author of over 300 DVD home study courses on playing piano, all available at "Piano Playing For Busy Adults".

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Shakira Rockin' Concert Doll By Mattel (Camoflage)

Shakira Doll from the Rockin' Concert Series
Customer Review: shakira is a belly dancer
my sister is six she loves shakira you should really put a picture thank you suany

One of the most important things you can do in a scene is find the conflict. Whether it is a monologue (internal conflict) or a scene with a partner (external conflict) there is always something that is at stake for the character you are playing. Think of it this way, if there is no conflict in a scene why are you watching it? People do not want to see everyday activities, they want to see drama.

With that being said, the question of how to find the conflict arises. First off let's define what conflict is. Conflict is two opposing forces trying to get what they want at the same time. For instance, one character wants a bag of money and the other character wants the same bag. This creates dramatic tension as both the characters will try by whatever means necessary to get that bag of money! What makes the scene interesting is the conflict between the two characters and the bag of money. If they both decided to share the bag of money and went happily on their way, there would be no reason to watch. It would be absolutely and excruciatingly boring.

People watch movies and plays to be transported away from reality. They watch it because it is often times much more interesting than their everyday life. If you do not find what your character wants in the scene then you might as well not even be in it. It will be boring and unentertaining without knowing exactly what forces are opposing you and how to overcome them. However, if you know what your objective is and you know how to attain it, it will add brilliant dimensions to an otherwise dull and pointless character. Think about scenes that really stand out in film or theatre and what makes them so great. Usually it is the tension between the two characters over something very important at stake. Don't take my word for it, just watch some of the great films and the conflict that gives them life.

Visit The Monologue Store for a great selection of Theatre and Film Resources

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Paste Magazine Music Sampler #11

1. 1. The Polyphonic Spree - Section 12 (Hold Me Now) 2. It's a Hit - Rilo Kiley 3. The New Kid - Old 97's 4. Stray Paper - Tift Merrit 5. The Day John Henry Died - Drive By Truckers 6. Rock and Roll - Lovedrug 7. You Can't Hurry Love - The Concretes 8. Chris Robinson and the New Earth Mud - 40 Days (radio edit) 9. Experimental Film - They Might Be Giants 10. If It Makes You - Bodeans 11. Brothers and Sisters - Coldplay 12. Trent Dabbs - Not Like That 13. Paco - My Love (radio remix) 14. Rubyhorse - Warning Bells 15. Richard Shindell - Hazel's House 16. Glenn Tilbrook - Untouchable 17. Richie Havens - We Both Know 18. Jennifer Daniels - Welcome to Your Life 19. J J Cale - The Problem 20. Sonia Dada - Old Bones 21. Pierce Pettis - Black Sheep Boy 22. Ron Sexsmith - Comrades Fill No Glass For Me

Wannabe producers always have at least one fatal flaw. Now the flaw varies from person to person, but they basically fall under 3 categories. So to lets list out the rules to keep you in the game.

People Skills

Lets start with the granddaddy. This is a people biz hombre. You deal with people all the time, whether it be label execs, engineers, or the talent you are producing.

Because of this critical point your people skills will make or break your career. This may seem overrated if you come from the school of thought that says, "if I get a single it will be enough." Honestly, maybe. But your success is so much more likely if you treat people in a way that makes them feel good.

That is what brings Rick Ruben success in this industry. That man is unquestionably the biggest thing on the scene. He has hits in all genres from Rap, to Country and people want to work with the cat because he makes them feel good, and alive.

Do you do this?

If not maybe its time to learn. Go get a copy of How To Win Friends And Influence People by Dale Carnegie. It could be a career changing book

Overshadowing

The second mistake that many produces make is to cast a looming shadow over an entire project. This is usually because the producer is a control freak. This type of producer has their fingerprints all over an album, and the artist feels suffocated by their presence.

Music is supposed to be an outflow of a vision. A song comes to life out of an artist, if they feel stifled by an overbearing oppressive regime you are not going to get the best production out of them. That is the truth.

Now, that does not mean that a good producer cannot point out flaws and errors, it just means that it should be done in a way that makes the talent want to change, not hole up and die.

Work on allowing the artist to breathe. Give them space to be an artist, but yet keep the project moving forward. Its tough, but hey that's your job.

Limited Chops

The last area that hang up wannabe producers is a limited pallet of chops. This shows up in the inability to get the sounds, beats, or vocal takes because of lack of knowledge. A know-it-all attitude is a sure way to shoot yourself in the foot.

This kind of problem rears its head in a production the has a good song but sounds like crap.

Luckily this problem has an easy fix: Learn to become a successful Pop Music Producer by Learning Production Chops. There are great video based resources on the web starting with this one Click Here > http://www.musicproducersecrets.info

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Are CDs still a sound investment?

There was once a time that the first milestone in a band's career was pressing a CD. There was always something special about the perfectly shrink- wrapped plastic case, the look of promise contained within the albums cover, and the power of a barcode branded in black and white on the tray card. For most, having a professionally pressed disc was like a signal that they've arrived and are proudly showing the world their art. While many still gauge their musical success in the culmination of a packed CD, the allure of digital downloads has caused many to question the need for CD Duplication in the future.

Ease of Use

Digital downloads, most commonly offered in the popular mp3 format, have quickly become a favorite of many music fans due to their easy transferability and lower cost. Mp3s use a process called psychoacoustic masking to compress a standard audio file into a smaller file size with very little if any audible quality loss ( mp3 vs CD quality test). This technology allowed artists to offer high-quality renderings of their music directly to fans through online stores like iTunes or directly from their website. Because the band no longer had to front the manufacturing cost of the audio CD duplication or music CD duplication , they are usually able to offer their music at a low price than that of a standard compact disc.

The Physiological Factor

While, mp3 technology can be beneficial to both the artist and the consumer, there are some disadvantages to purchasing music in a digital format. Aside from the loss of certain frequencies, mp3s typically live on a computer or portable listening device, which can be susceptible to data loss and system failure. Because of copyright concerns, music lost in computer crashes cannot be recovered without paying for all your songs again. For users that don't back up their data, there is a substantial risk of losing your entire music collection and ultimately your investment.

Also, many music fans still like the feeling of holding a tangible product in their hands. For them reading a CD booklet, and the physiological experience of holding a piece of the artist's work is an important experience. These same fans are probably also likely to purchase merchandise at an artist's performance or show. Since mp3s are a downloadable format, artist's who opt for mp3 only releases may loose out on a percentage of sales and impulse buyers who want to take home souvenirs of their concert.

Consumer Options

With no shortage of compelling arguments for both formats, the only thing that is certain is that technology is giving both musicians and fans a broader range of options. Because selling mp3s through digital distribution websites cost no additional money, bands can manufacture standard CDs for those who prefer owning discs, and output high-quality mp3s for fans satisfied with lower priced downloads. In order to reach all of your target audience, it makes the most sense to provide as many buyer options as possible to maximize your potential market and ultimately album sales.

For further information, visit www.Audio-CD-Duplication.com or contact at sales@audio-cd-duplication.com.

C. Jason writes many articles on technology related issues for http://www.Audio-cd-duplication.com. An excellent orator, pens down the critical facts for the Audio and Music Digital World.

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Coldplay Group Chris Martin X&Y Rush Of Blood Art Poster Print - 24" X 36"

This poster is 24 inches by 36 inches approximately and is in mint condition

Bird Name:

Canary

Latin Name:

Serinus canaria

Status:

Least Concern

Scientific Classification:

Kingdom: Animalia

Phylum: Chordata

Class: Aves

Order: Passeriformes

Family: Fringillidae

Genus: Serinus

Species: S. canaria

General Information:

The wild species is also known as Canary, Island Canary, Tame Canary, and Atlantic Canary. The Domestic Canary has been bred in captivity since the 1600s. They are divided into three main groups: Colorbred Canaries (bred for mutations), Type Canaries (bred for their shape), and Song Canaries (bred for unique song patterns). The word "Canary" is derived from the Latin canaria, "of the dogs", referring to the numerous wild dogs that inhabited the islands.

Physical Description:

The average length of the wild Canary is 12.5 cm, with a wingspan of 20 to 23 cm, and a weight of 15 to 20 gm. They are yellow green, with brownish streaking on their back and wings and have gray and brown in their plumage. The beaks and feet are pale in color. Females are duller in color.
In the case of the domesticated Canaries, there are hundreds of mutations that will have numerous variations in color.

Diet:

The diet in the wild consists of fruits, seeds, and nuts. They have a grove on the inner beak that helps them to break open nuts.

Habitat:

The Canary is native to the Azores, the Canary Islands, and Madeira. It inhabits semi-open areas such as orchards where it nests in shrubs and trees. It resides in elevations from sea level to 1700 m. A number of escaped populations occur on Bermuda, Hawaii, and Puerto Rico.

Reproduction:

Breeding is generally between January and July. Females build the nests in bushes or small trees. Incubation takes about 14 days and the chicks fledge after two weeks.

Tony Mandarich

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Getting There from Here

A lot of drummers don't really sit down to practice their instrument, but rather just sit down to "play." Just sitting down to play what you already know is fun and can be great for maintaining certain techniques, but little progress will be made.

If you are into drumming only for a hobby, then making progress is probably not really a great priority for you. If that's the case keep doing what you are doing, and enjoy it.

On the other hand, if you want to progress as a great drummer, you will have to focus. You just can't expect to sit down at your drum kit every once in a while and just beat around the skins. You need to be clear what it is you need work on, and then apply it.

Each one of your drum practice sessions should create a challenge for you to accomplish something not previously mastered.

When you sit down at your drum set do you know what you should be practicing? Many drummers don't have a clue what they need to be practicing to become better. This lack of information can kill your potential to really excel at your instrument.

Sometimes, even if we know what to practice, our drum practice sessions can still be weak simply because of a lack of focus.

If you have ever caught yourself saying, "I don't know what to practice" or, "What did I forget to practice" when you get on your drums, this cheat sheet will do you good. Hang it up on your wall and pick which exercises you want to work on before you begin your practice session.

~ Stick control

~ Playing with a metronome (playing with, behind, and ahead)

~ Odd timing

~ Finger control

~ Left hand lead

~ Double bass drumming

~ Fast tempos

~ Slow tempos

~ Odd groupings (3's, 5's' 7's and 9's etc.)

~ Polyrhythms

~ Beat displacement and/or metric modulation

~ Shuffles

~ Showmanship (stick twirling, etc)

~ Creating your own patterns and ideas

~ Filling around accent patterns

~ Triplets around the set

~ 16th's around the set

~ Left hand and foot isolation

~ Brush technique on the snare drum

~ Crash cymbal technique (which one to hit, when, how hard, etc.)

~ Two handed cymbal rides

~ Soloing

~ Recording yourself and listening back

~ All 40 drum rudiments

There are probably many more things you can practice, particularly your own technique and signatures. But, just remember, you want to be working on something new at all times.

The main thing is, keep challenging yourself by never being satisfied. Strive to constantly improve during each practice session. Just never say again, "I don't know what to practice."

Danny Brown has been drumming since 1976, and is the author of "The Ultimate Guide to Choosing Drums and Cymbals!" Subscribe to his Free Newsletter and learn the mental aspect of drumming! Find out what it really takes to truly be a great drummer... http://www.dbDrumTips.com

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Coldplay: Complete Chord Songbook

All of Coldplay's songs from their first three albums specially arranged from the actual recordings, in the original keys. Each song includes chord symbols, guitar chord boxes, and complete lyrics. 60 songs in all, including: Clocks * Fix You * God Put a Smile upon Your Face * The Hardest Part * The Scientist * Sparks * Speed of Sound * Talk * Til Kingdom Come * Trouble * What If * Yellow * and more.
Customer Review: Coldplay complete Chord songbook
I love this book! I wish more songbooks were formatted like this! Easy to read, compact, entire songs on one page for the most part so no page flipping.

If you have dreams of performing in the Winchester theatre royal, you have to consider that acting classes aren't cheap, and sometimes you even have to pay a hefty sum for being in a showcase, without any guarantee of getting an agent. Make sure you have enough money set aside for your acting needs.

Dance classes can also be additional training, though acting is what you will need most. Audition for school plays and community theatre for the experience!

I think they both have their merits, and they're both just so extraordinarily different with entirely different energies. For people who have never done theater, it's a difficult thing, because you have to be focused for an hour-and-a-half to two hours, whereas in film, if you shoot more than a page-and-a-half all at once, that's a pretty long scene. Then again, some people just learn things differently than others. Use whatever method best serves you.

By contrast, when you project a facade that differs from what you think and who you really are inside, others sense the disparity. When your speaking and who you are being don't match, it keeps you from being heard and decreases your personal effectiveness. It's time to imagine a different world. When doing a scene, if I say I'm at a restaurant, every single audience member could have a different image of where that scene takes place. One person might think fast food while another thinks fine dining.

For those looking for a job in acting, finding a talent agent is important. But, technology gives us a chance to create what we want instead of waiting for a call. Many people have found agents after they got their first gig. If a casting director really likes you and thinks you have the right look they will call you in for an audition. Actors, for instance, audition with directors and casting agents, hoping to show that they can play the role for which they're auditioning. Musicians hand out tapes and CDs of their music to convince nightclub and theater owners to book them for gigs.

The Winchester theatre royal and Army museums two fantastic sites to visit.

music on so you think you can dance

Led Zeppelin T-shirt BBC Sessions

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Anyone who has ever been to a social dancing event knows that not everyone has a good time, or at least not equally so. Some sit out many (if not all) dances, while others never seem to sit down. Why the difference?

There is only one reason for dancing at a social do: to have fun. There is no competition, no need to be absolutely perfect in the steps, and no reason to be stern and serious while cutting a rug. The key skill is the ability to socialize while keeping feet in time to the music.

This is easier said than done for some people, and is what makes the difference between sitting on the sidelines and hitting the floor. Many people are very self-conscious about dancing, either because they dont know the steps or because they think they look silly. Others are so intense while doing the steps that they can barely look up, and even when they do, conversation is impossible because they are silently counting and concentrating on foot movement.

Beyond the basics of dance etiquette, there are some rules of thumb that warrant following to master the art of dance floor socializing. Here are some examples:

Prepare yourself. If you know that there is a big event coming up that will include dancing beyond the non-contact freestyle sort, learn the steps. Take a social dancing class or two to master the basics. And practice. When the event comes along, you will be able to take to the floor without worrying about your skill and having to count in your head.

Dress to dance. Think about the dancing part of the event when you plan your outfit. Shoes need allow you to move safely, clothes need to make it easy for a partner to make contact as you move through various steps and turns.

If you want to be asked to dance, put on your happy face. Looking stern will make you appear unapproachable. Tap your fingers or toes to the music, smile, and make eye contact.

On the other side of the coin, try not to refuse an invitation to dance. Most songs are no more than three or four minutes long, so dancing with someone that might not be your ideal partner should not be too much strain. Be gracious, be polite, and you will be rewarded!

Dont dance with just one person. Dancing with a wide set of partners is a cornerstone of social dancing. Dance with everyone, and get everyone to dance.

When you make it out onto the dance floor, keep the fun going. Again, some rules of thumb:

Be entertaining. While having a good time yourself, engage your partner. Think of dancing in terms of moving to music while carrying on cocktail party conversation. Dance at a level you both enjoy, and exercise a good sense of humor. And smile!

Make your partner feel appreciated. The most popular dancers are not the most skillful, but the ones who clearly appreciate and enjoy their partners. Most people are not interested in dancing with someone who is obviously bored or feeling put upon, no matter how great their footwork may be.

Never blame your partner for anything that may happen on the dance floor.

Do not start teaching on the dance floor, unless your partner asks you to do so. Unsolicited lessons are more likely to embarrass your partner than to make them happy. If you are a more skilled dancer, you should be able to match yourself to your partners level of ability.

If you are leading, do so comfortably. Cranking your partners arm to force a turn or pushing and pulling them into position will not be a pleasant experience. If your partner is not doing what you want, your lead probably was not clear enough or beyond her own skill level. Tone it down and lead steps that can be transmitted and received enjoyably.

If you are following, dont start back-leading. It is disrespectful to your partner when you steal the lead.

Protect your partner. If you are leading, anticipate the movement of the other dancers and move your steps into empty areas of the floor so that you dont run into other couples. If you are following, keep an eye out behind your partners back. If a couple is bearing down in his blind spot, let him know with pressure on his hand or shoulder, or simply by telling him.

Avoid humming or singing along with the music you are dancing to.

Social dancing is social. Each dance is a brief encounter that should be fun for both partners. Approach the floor with a good attitude and sense of humor, concentrate on the enjoyment of dancing rather than technical proficiency, and dont worry if there are missteps or other mistakes. Youll go home well exercised and happy!

This article was contributed by Master Portable Floors. Master Portable Floors is the floor of choice by professional dancers. The floors have been rated highest quality by the American Swing Dancing Association and the Ball Room Dancing Association. Master Portable Floors has a unique flex action that provides a comfortable dancing surface that reduces hip and joint injuries. To learn more about Master Portable Floors visit www.masterportablefloors.com.

90's dance music