MUSE - Pose - Pink 30 S Ringspun T-shirt

Brand New, never worn 100% cotton front and back print Authentic MUSE T-shirt.

Bass guitar tab has become a very popular method of writing bass music. With this tool you can learn to play bass music fast without getting bogged down in a lot of unnecessary theoretical stuff.

The bass player's role is just to keep time. It is very simple. A lot like bass players. Keeping time is done by playing a 'bassline' which is usually a rhythmic' sequence of notes. The bass player unites the rhythmic playing of the drummer with the chords and melodies played by the lead guitar. Does this take talent? Yes it does. The bass guitar player is the guy who turns off his brain and becomes one with the music. He then turns his brain back on and assumes the mantle of the designated driver for the rest of the band.

The bass guitar tab gives the guitarist written directions on what to play to give the bass line to a piece of music. Tablature is a written representation of the strings of the guitar using numbers to show the frets. If you want to learn the bass guitar quickly tab is the way to go. It is easy to pick up and to remember, and it enables you to learn very quickly the riffs and phrases you need to give your group's music that something extra.

A bass guitar tab is a picture of the fretboard which can be drawn using Notepad on your computer or by hand. The frets are numbered on lines representing the guitar strings. If you have a four string bass, the upper string is the G string, next the D string, the A string, and the E string. The numbers below the lines are the frets where the notes are played. If there is zero below the line it means the open string is played. A chord is represented in bass guitar tabs by two numbers, one above the other. Most bass guitar tabs contain a legend which explains any unfamiliar terms.

The internet is by far the best source for bass guitar tabs. Just do a Google search and you will have more material than you will ever need. All you have to do is learn and practice. Learn and practice your favorite songs first. Bass guitar is not a musical instrument you can approach without passion. Bass guitar riffs can be learnt from tab books but should be played from the heart.

Ricky Sharples has been playing guitar his whole life, and is presently engaged in building a blog called Learn How To Play A Guitar For Free Ricky's blog features free tools, lessons and resources for guitarists of all ages and stages. Ricky updates the blog regularly so if you are interested in learning to play guitar there will be an enormous variety of tip, tools and tutorials for you.

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Intros, Endings and Turnarounds for Keyboard: Essential Phrases for Swing, Latin, Jazz Waltz, and Blues Styles

Learn the intros, endings and turnarounds that all of the pros know and use! This new keyboard instruction book by John Valerio covers swing styles, ballads, Latin tunes, jazz waltzes, blues, major and minor keys, vamps and pedal tones, and more.
Customer Review: This book is fun ...
The book has well written, very musical phrases. The author suggests usage with several standards that should be in everyone's play book and it's fun to work them in with tunes you already know - in the proper keys. Take them apart, and there is something to learn in most of them. Great for browsing. The printing is good and the binding isn't troublesome on the rack. Nice experience. I would have rated it a five, but some of the pages have a tendency to work loose.
Customer Review: I love this book
I try to spend a half hour with it every night. This book will appeal to a wide range of interests. Whether you are a composer interested in theory, or a keyboardist enhancing your chops, there is something here for you. Most examples are four-measures long, but rich in musicality (kind of like what the Bach chorales are for those studying classical music.) The examples progress from simple chord progressions to more complex, and each is one is clearly explained. Nice melodies too! It is apparent that the author has spent a lot of time with each of the sub-genres (swing, ballads, blues, Latin, etc.) and has distilled his knowledge into a neat recipe book that will serve as a launching point for those wishing to further their expertise.

Muse is a three-piece band from the UK that plays rock music for future generations. They incorporate synth, distorted guitars, amazing bass lines and powerful drums to create music about this world and the worlds beyond this one. The band has previously released many albums and a live DVD. This second live DVD, called HAARP, includes a live CD of the performance at Wembley Stadium, and also features many of the band's instantly recognized songs, including "Starlight," "Knights of Cydonia," "Hysteria," "Supermassive Black Hole," and more!

This product offers a live concert in both audio and video form with both a CD and DVD recording of their live set at a packed Wembley Stadium from two sold-out performances in June 2007.. The quality is excellent in both audio and visual aspects. There are a few visual affects that enhance the performance, and at times you can hear the crowd singing along to the songs.

One of the great aspects of HAARP is that it showcases the range of the band's music and the powerful performances they are known to give. Fans of classical, metal, rock, pop, synth, dance and more will love this band and this DVD/CD set! Muse incorporates many types of music into their own style. They blend classical styles with very modern sounds and a touch of futuristic themes exist in the band's music, as well.

The quality of performance this band puts on is well-captured on this DVD & CD set. I had the pleasure of witnessing a live performance by Muse three years ago, and HAARP captures their live magic perfectly!

After purchasing this set myself, I've been listening to it over and over again! Those around me may soon tire of having this play on repeat, but I know I won't! That isn't to say HAARP has no downfalls. There is a lack of special features on the DVD, plus a few songs from the performance didn't make it to the final product. Still, it's worth the buy.

Muse has a tendency to make their audience feel magical, revolutionary and powerful, as only the music of this band can make you feel.

I believe any fan of the band will fall in love with this and also fans of music in general will appreciate it on many levels. It's also easy to see why Muse is so often called the best live act of our time. Not only do two sold out nights at Wembley Stadium attest to that claim, but the quality of the performance and the love of their fans also prove the claim to be quite true.

Tonia Jordan is an author on http://www.Writing.Com/ which is a site for Writers.

Her portfolio can be found at http://www.Writing.Com/authors/spidergirl so stop by and read for a while.

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Violet Hill

French only physical CD release of the first single lifted from the British band's 2008 album Viva La Vida Or Death And All His Friends. Features 'Violet Hill' plus 'Lost?'. EMI. 2008.
Customer Review: Harder Coldplay
There is no doubt the feeling of Coldplay's deep and soulful style that has shown to keep up with the times. This time around, on the groups' latest single, Voilet Hill, the first single from the upcoming album from their upcoming album Viva La Vida, shows a much harder and darker edge to Chris Martin and the band's deep alternative following. The song is very eye-popping, but still shows that Coldplay has kept making good songs, after the massive success of X & Y and A Rush Of Blood To the Head. I definitely know this song beats other songs like the so-called American Idol winner David Cook's Time Of My Life, and other songs that are downloadable. I hope the upcoming album is worth it for Coldplay fans. Violet Hill already is a mountain. Song: B
Customer Review: Can't ever go wrong with Coldplay
It was a relief to see Coldplay still has it after all the years of silence! Great song.

All cryptic puzzlers understand that compilers employ words cryptically to obtain their answer, and that they need to recognize those words for what they stand for - LOVE to yield the letter O; SPECIALIST to yield the common suffix ENT; COMPANY to yield CO etc . Many puzzlers built up a list of such words, as have I, with a glossary of over 800 such words.

Beyond such words, compilers often test your knowledge of Minerals, Numbers and Foreign Words so we'll now look at how you cope with such ruses.

MINERALS & ELEMENTS

You'll need to know the symbols for some common elements from the Table of Elements.
The symbol for LEAD is PB but isn't often used because the letters aren't often found in words, whereas the symbols for GOLD ie AU and for SILVER ie AG are commonly employed.

H for HYDROGEN, C for CARBON and O for OXYGEN also find favour. A few others that come in handy are FE for IRON; SN for TIN; AL for ALUMINIUM; CL for CHLORINE; NA for SODIUM and CU for COPPER. It's a good idea to have access to the Table of Elements which should show in most encyclopaedias.

Here are a couple of examples of how these symbols are used in clues:

"Silver has no saint in charge when it comes to disbelieving (8)"

ANSWER = AG NO ST IC

"Copper seldom found on some arrows (6)"

ANSWER = CU RARE (a poison used in blowpipe arrows)

NUMBERS

You need to know your Roman numerals especially

I for 1; IV for 4; V for 5; VI for 6; IX for 9; X for 10, though sometimes you need the letters io; XI for 11; XL for 40;

IL for 49; L for 50; LI for 51; IC for 99; C for 100; CI for 101;

ID for 499; D for 500; DI for 501; IM for 999, M for 1,000;

MI for 1001 etc

NOTE re THOUSAND: K as for KILO or G as for GRAND are sometimes used instead of M. You just have to see what fits.

And don't always expect these Roman numerals to be used in the accepted manner. Compilers use numeric licence as readily as they do literary licence eg

CLUE: 101599 sort of pride (5) ANSWER: CI V IC

Not fair is it!

Here are a couple of more straightforward uses of numbers in clues.

"Five get into a dance and celebrate (5)"

(Instead of 'five' the word 'quintet' could be used)

ANSWER: RE V EL (Here the dance is a 'reel')

"Queen takes in 51 people and then another 11 to make a potion (6)"

ANSWER: E LI XI R (Queen = ER)

NOTE: Sometimes no mention is made of a particular number but you may well be expected to know that a 'cricket team' = XI; a 'rugby' team = XV or that a 'crew' means 'EIGHT' (seldom VIII which is difficult to use in word building.

OFFBEAT NOTE: Sometimes the word 'number' needs to be interpreted as 'something that numbs' ie 'ether' or, less frequently, 'chloroform' and 'anaesthetist'

FOREIGN WORDS

You need to be a person of many parts to do cryptic puzzles, and one of those parts is to be a mini linguist. French words are the most commonly used eg;

To get the letters UN the clue may contain the words A FRENCH ie the French for the indefinite article A

Similarly the words THE FRENCH are seeking the letters LE or LA

The clue words FRENCH ARTICLE make you choose from LE; LES; LA; UN; UNE.
AND FRENCH is often used to get ET, which incidentally can also come from the word ALIEN
ON FRENCH is looking for SUR

Remember 'Sur la table' for 'on the table

EXAMPLE: " Enduring the French swindle (7)

ANSWER: LA STING

Then there are common French words such as TRES for VERY which may be used thus

"Pierre's very hand will result in an unlawful entry (8)

ANSWER: TRES PASS

Here you're expected to know that, to the Frenchman Pierre, VERY is TRES, and that one interpretation of HAND is PASS as in 'Hand me the salt please'

Nobody says that cryptic puzzles are going to be easy right??

Another device to indicate that you need to find a French word is the use of IN PARIS; IN MARSEILLES and so on

EXAMPLE: It's good in Paris as 500 grow older to get restraints (7)

ANSWER; BON D AGE

OTHER LANGUAGES

German words are probably the next most common foreign words to be used eg DER or DAS for THE; JA for YES; EIN for ONE, AN or A; DING for THING; etc

EXAMPLE: Indulge as the German comes after pot (6)

ANSWER: PAN DER

Just as we met PIERRE in the French words above, we meet FRITZ in German words. And words like IN BERLIN indicate that you need a German word

Two other common usages are:

THE ITALIAN to get IL

(For PIERRE as above read MANUEL and watch for words like IN MILAN)

and THE SPANISH to get EL.

(For PIERRE as above read MANUEL and watch for words like IN MADRID)

LATIN gets into the act too eg WITH LATIN is seeking the Latin word for WITH ie CUM

Getting into these foreign words may seem to be adding an extra layer of difficulty to cryptic puzzling but you'll find the more straightforward ones like THE, A, AND etc are enough to get you by.

It would be a good idea to have a French/English dictionary on hand. I personally have a series of the small yellow LANGENSCHEIDT dictionaries to cover most languages.

Well that's your lot for now. Here's hoping that some of the above broadens your cryptic horizons and eases your frustrations with our eternal adversaries, the compilers. Lots of luck.

Dick Honor is a retired publisher and self-confessed cryptic crossword tragic. He is the author of "Your Start-Up Guide To Cryptic Crosswords", a guide for those who believe that cryptic crosswords are beyond them. Dick provides beginners with simple language guidance, 450 practice clues with answers and a glossary of over 700 cryptic clue words.

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Multicore

Kalimoto have quite a unique sound, as anyone who has seen them live, or heard their cd's or mp3's will testify. Their sound might even be described as a testament to a variety of influences, although these influences are not always so obvious. Some critics have described the band as "goth", others as "indie pop", others as "alternative rock", others as "funky space rock"!

Reviewers have made various comparisons as diverse as Mansun, Verve, Coldplay, Doves, Clash, U2, Chameleons, The The, The Jam and Oasis right through to Simon & Garfunkel to DJ Shadow even.....

If you've not heard them, check them out and judge for yourself! I think you'll agree, they are difficult to pigeon-hole and great to listen to.

While Wolfgang Mozart showed an amazing aptitude for music very early in life, he also displayed an absolute affinity for women. His charm was alluring, earning him the title, "The Most Kissed Boy in Europe."

Unfortunately, his adorable charm began to fade when, at age seven, he proposed to the future queen of France, Marie Antoinette, and was rejected. Things got worse when his girlfriend and the love of his life forgot him after his absence during a musical tour of Europe. She didn't even recognize him when he entered the room. Ouch.

Imagine, were he alive today, young Mozart could have tried courting 21st Century-style with a date at the movies. This teen was the type of courter who, eager to scoop a handful of bosom in the dark theatre, would employ the "stretch and clutch" maneuver.

This is a smooth and delicate movement where the suave pubescent pretends his arms need a stretch. After slowly lifting his limb closest to his target, he reaches around to her furthest shoulder and casually rests his hand there. Little by little he begins to feel the overwhelming force of earth's gravity as his hand creeps down.

This tactic sometimes backfires, leaving a buttery hand print across the attacker's doleful face and an angry phone call from the girl's father. In the event his device failed, he would have simply pursued her sister. It worked for him back in the 1700's!

Well, sort of.

His wife, the sister of the first "forgetful" girl, was described by him as "not ugly, but in no means a beauty." He went on to write, "She is not witty but has enough sound common sense to enable her to fulfill her duties as a wife and mother." Again, ouch!

Enough of Wolfgang. One fellow who never had any romantic charm to begin with was Franz Schubert, nicknamed "Little Mushroom" for his chubby stature, little round glasses, and shy, geeky nature. A crummy catch for most girls , he was a poor composer who couldn't even afford his own piano and composed his piano works on a cheap guitar.

At one point he thought the best way to woo a potential sweetheart was to write her a love song. Unfortunately, he couldn't sing to save his life ever since his voice broke at age 16. He devised a scheme where his friend, Schober, a handsome tenor, sang the tune to the girl with Schubert's piano accompaniment. Much to the mushroom's dismay, when the song was finished, the girl embraced Schober!

If only he were born in the mid-1900's, Schubert would have been much more successful in catching girls with his music. All he would have to do was holler out the song himself, strum a few chords on his Fender and gaze at her through his groovy, John Lennon-style glasses. The guy would have been a babe magnet, and I'd still love his music, be it changed.

Peter Tchaikovsky had disastrous relationships. His first marriage lasted only 9 weeks, which resulted in him trying to kill himself. Other affairs didn't get much better. He finally met a wealthy 46-year-old widow, but their relationship never went past writing letters for 14 years. They met once by pure accident and were so embarrassed that they ran in opposite directions.

Peter would have done very well had he the chance to date on the Internet. Thousands of on-line dating and matchmaker services offer a highly selective process in which the seekers specify the personality, physical appearance , income bracket and other details of themselves and their potential mates. Peter was a handsome lawyer who dressed very well and had expensive taste. This successful and famous musician was also sensitive guy who wasn't afraid to cry. This hunk would have cleaned house on www.composerdate.com.

Even if he chose to continue his relationship with the widow on-line, it would've saved him oodles in postage stamps and would have been much quicker than mail delivery in 1880's Russia. Maybe he could've gone a step further and picked up the phone, or even hopped on a plane to take a visit! It's these modern-day miracles in technology that could have bridged an awkward gap in poor Tchaikovsky's love life.

As I write this I think of what my love life would have been like if I lived in the time of the great composers. Chances are, I would've married for money, or worse, against my will, and life as a woman would have meant serving my husband and fifteen-plus children. At least my corset would've had me too breathless to complain...

Even though life seems to be more complicated in the 21st Century than ever before, I'm blessed to have a relatively simple life with endless opportunities and to have found love. It's not romantic, but it's simple, it's real and it's mine.

**Rhiannon Schmitt (nee Nachbaur) is a professional violinist and music teacher who has enjoyed creative writing for years.

She currently writes columns for two Canadian publications and Australia's "Music Teacher Magazine." Writing allows her to teach people that the world of music is as fun as you spin it to be!

Rhiannon's business, Fiddleheads Violin School & Shop, has won several distinguished young entrepreneur business awards for her commitment to excellence. Her shop offers beginner to professional level instruments, accessories and supplies for very reasonable prices: Visit http://www.fiddleheads.ca

Rhiannon is also Founding President of the Shuswap Violin Society which promotes violin & fiddle music and helps young musicians in need: http://www.violinsociety.ca

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Malus Clothing - Latin For Evil - T-Shirt

The difference between the Basic, the Intermediate and the Advanced levels of dancing proficiency are defined by more than just their core curriculums. In the aviation world, for example, it is the difference between driving an airplane and flying one! A basic pilot can fly straight and level, climb, descend, and turn. An intermediate pilot can combine these basic "stick and rudder" airwork fundamentals with good airspeed control and make acceptable take offs and landings; however, only an advanced pilot can take full advantage of his airplane's capabilities by being able to fly it safely to the edge of its performance curve. Switching our focus now from the cockpit back to the dance floor, let's put the Basic, Intermediate and Advanced levels of swing dancing into their proper perspective by looking at them within the context of the four stages of awareness in the process of learning to dance.

1) UNCONSCIOUS INCOMPETENCE: At this first stage of awareness, a dancer has never given the subject of swing dancing any conscious thought. He has never been formally introduced to it and, although he may be quite adept at other styles of dancing like freestyle or Country and Western, for example, until he takes his first Basic level swing dance class, he is really at a stage of unawareness because he is simply unconscious of his incompetence.

2) CONSCIOUS INCOMPETENCE: At this second stage of awareness, the new male dancer or "leader," has been formally introduced to swing dancing at his club and he now fully appreciates its social and recreational potential. He has taken several Basic level classes but he realizes that his performance is marginal at best and that he needs to take many more swing dance classes and workshops to sharpen his skills. He is grateful for any helpful tips that might improve his dancing; for example, he may determine his lead hand by looking to see which thumb and forefinger form the letter "L." This is the awkward stage for the new swing dancer. His hand-leads are generally too strong and his body movements tend to be too stiff and mechanical to suit all but the least experienced of his female partners or "followers." At this point in his training, he is more prone to be repeatedly answering the question: "how long have you been dancing" rather than "where do you dance." All in all, the conscious incompetent clings to his patty-cake, the think-step pattern like a new western horseback rider clings to his saddle horn.

3) CONSCIOUS COMPETENCE: At this third stage of awareness, the male dancer has completed all of the Basic and Intermediate level classes offered by his club, and he is now an accomplished, well rehearsed dancer. He almost always executes his triple step footwork flawlessly in every direction to varying tempos of the music; he seldom misses that important "3 and 4" count of his footwork that often eludes less experienced dancers, and he has developed a gentle yet firm lead that guarantees him a willing partner for every dance. All in all, he has developed into a smooth dancer who confidently performs the different swing patterns that he has learned over the years. The conscious competent leader knows what he is doing!

4) UNCONSCIOUS COMPETENCE: At this final, fourth stage of awareness, the male dancer has achieved the highest level of proficiency where he has cultivated a signature style that transcends being well rehearsed; instead, he has become just as intimately familiar with each inherent part of the patterns that he has learned over the years, as he is with the overall patterns themselves. As an advanced dancer, he can intuitively "mix and match" the specific handwork and footwork elements of different patterns to create new patterns, and he has the versatility to frequently intersperse steps from other dance disciplines to physically embrace the beat of the music. His extensive knowledge of the dance, combined with his fluid lead authority enables him to maneuver his partner to the edge of her capabilities so that as a couple, they are able to consistently deliver award winning performances. Simply put, the unconscious competent is the dancer that the dancers enjoy watching!

TEACHABILITY INDEX: How quickly a new dancer progresses through these four stages of competence depends upon how "teachable" he or she is! All of us may compute our own Teachability Index (TI) which is the product of the following two variables that are rated on a scale of "1" (lowest) to "10" (highest): our Willingness To Learn (WTL) and our Willingness To Change (WTC). If our willingness to learn how to "dance centered," for example, is a 10, but our willingness to change our body positioning to accomplish this goal is just a "5," then our Teachability Index is only 50% (WTL x WTC = 50)! In other words, the maximum effort that we made in class to LEARN the correct way to "dance centered" is half wasted if we are not willing to CHANGE the way we lead our partner! Always remember that both learning and change are the inseparable, twin handmaidens of dance proficiency.

Copyright 2008 by Skip Culver, Certified Swing Dance Instructor. Member of the West Count Swing Dance Club and author of the manual: Imperial Swing Dancing - visit: http://www.ImperialSwing.com

Henry H. "Skip" Culver, Jr. is a member of the West County Swing Dance Club in St. Louis Missouri. He is a Gold Seal Instrument Flight Instructor and the author of the bestselling book on navigation titled: IFR 'Pocket Simulator' Procedures that was selected as the Main Selection of the Jeppesen Aviation Book Club. In 2000 Skip turned his attention from aviation towards the dance floor. He became a Certified Swing Dance Instructor in 2004, and then with over seven years of detailed notes from various classes and workshops in hand, he began assembling the Imperial Swing Dancing manual which he published in June of 2007. Skip is a frequent contributor of articles on swing dancing to different club newsletters throughout the United States.

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Antonio Carlos Jobim: An All Star Tribute

WINNER OF...
1995 JazzTimes Reader Poll- Best Video- First Runner Up

Direct from Brazil in his last recorded performance, Antoine Carlos Jobim (1927-1994) is joined by an international delegation of jazz giants to recreate his classic melodies in a beautiful, concert-length “Thank You.” With over four hundred songs to his credit including the unforgettable Girl From Ipanema, Jobim virtually single handedly brought the world Bossa Nova by adapting the percussive excitement of the samba to the intimacy of the guitar while echoing the melodies and harmonies of Cool Jazz. This classic, concert-length "Thank You" includes: Girl From Ipanema, Once I Loved, O Grande Amor, No More Blues, Wave and more
Customer Review: Farewell To A Legend
"Tom" Jobim died only a few months after this concert, so it was one of his last performances. He was truly a legend and if you love music you really need to acquaint yourself with his. Beautifully complex rhythms and harmonies that do not wear thin with repeated listening--the hallmark of great music. Even without understanding the lyrics his music evokes combinations of deep emotions, including a sad/sweet longing that has no English translation from the Portuguese. I'll not mention all of the artists that appear in this concert, but only draw your attention to Gal Costa, who has become one of my favorite Brazilian singers. Check out her earlier CDs. You will not be disappointed!
Customer Review: Impressive
Before watching this DVD I had never heard of Gal Costa. What a pleasant surprise to see her perform. Antonio himself appears in this one for Luiza and Wave: very nice. I couldn't appreciate John Henricks performance, too much scatting and not very good. That's just my opinion. Gonzalo Rubalcaba didn't impress me either. For me, the real standout performance was by Gal Costa. She does very cool A Felicidade with Herbie; and then an amazing So Todos Fossem Iguais a Voce. Also, Herbie is an amazing keyboard player. It is as though the instrument is part of him. Buy it!

Oprah asked rock star legend Billy Joel some really good questions to learn about how the successful musician creates such stirring songs. Billy who doesn't see himself as a "rock star" didn't object to Oprah calling him a legend in his own right, though Joel doesn't consider himself the high-maintenance celebrity type.

Billy when asked which of his songs are his personal all-time favorites mentioned he considers them all as children, each dear to his heart. Joel did acknowledge however that any given day his personal favorite can change given the circumstances.

Oprah to my surprise brought up newspaper clippings about three of Joel's car accidents and asked him if he was a bad driver. Billy said, "I'm not a bad driver, I just have bad luck." He then mentioned a French car of his which was a bit awkward to drive considering the French manufacture cars a bit differently.

Billy was very transparent about his former drinking problem and being in rehab, saying it was like being in prison on lockdown with no access to anything. Being among other drunks and people with problems provided Joel some solace and therapy of sorts to cope with his own problems he acknowledged.

Joel looked a bit uncomfortable when Oprah brought up the age difference between he and wife. Billy Joel married his wife, chef Katie Lee, in 2004 when she was just 23 years old and he was 54. Katie was only five years older than his daughter.

Oprah probed a bit about Joel's relationship with ex-wife and supermodel Christy Brinkley, which Joel said they have agreed to get along for the sake of their daughter.

Undoubtedly Katie was the shining personality on the couch with Oprah and did a great job taking the cameras through their lovely New York home, during which she often referred to Billy as "my husband" in somewhat strange fashion.

The two hit it off in New York when they discovered each other's love for food and Billy swept Katie off her feet no doubt with some love songs and lavish romance. Billy laughingly said concerning their meeting, when he invited Katie to have a drink with him: "That was one time drinking came in handy."

Oprah definitely didn't hold back during this interview. Billy Joel looked and seemed a bit uncomfortable during some of the questions, which kind of felt like an interrogation for me as a viewer. I hope he sells a lot of CDs for having to endure that interview.

One question I would have liked Oprah to ask of Katie Lee was, "How did being turned away and refused entry into Diddy's annual White Party make you feel?"

Billy Joel's wife Katie Lee was turned away from Diddy's annual White Party, because she was dressed in cream. The hip-hop mogul had a strict white dress code at the end-of-summer bash at his Long Island, New York, mansion and made sure his bouncers enforced the fashion rules.

I guess Oprah felt Billy could handle it considering he's been around the block a bit compared to his young and kind hearted bride. Interestingly, when Oprah asked Billy about any early opposition to his song "Only the Good Die Young", Billy said a bit of Catholic church opposition helped his popularity among the youth and increased sales.

Undoubtedly opposition, persecution, and even a bit of bad publicity can help musicians and fading celebrities.

I wish Katie and Billy all the blessings of heaven and earth.

Paul Davis is a highly sought after worldwide professional speaker, purpose coach, and change master transforming organizations and empowering individuals to live their dreams.

Paul is the author of several books including United States of Arrogance; Poems that Propel the Planet; Breakthrough for a Broken Heart; Adultery: 101 Reasons Not to Cheat; Are You Ready for True Love; Stop Lusting & Start Living; Waves of God; Supernatural Fire; God vs. Religion; and many more!

Paul's compassion for people & passion to travel has taken him to over 50 countries of the world where he has had a tremendous impact. Paul's organization Dream-Maker Inc. builds dreams, transcends limitations, & reconciles nations.

Contact Paul to speak at your event or for consulting:

RevivingNations@yahoo.com
407-284-1705

http://www.PaulFDavis.com

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Esperanza

"Esperanza," bassist/vocalist/composer Esperanza Spalding's debut on Heads Up International, is set for worldwide release on May 20, 2008. Armed with uncanny instrumental chops, a siren voice that spans three languages, and composing and arranging skills that weave together the best elements of the old-school with the progressive, this 23-year-old has crafted a debut album that takes a completely fresh and refreshing approach to jazz by borrowing from the rich traditions of soul, pop, world music and so much more.

Esperanza is joined in the studio by a crew of A-list session players, including flamenco guitar virtuoso Niño Josele, percussionist Jamey Haddad, drummer Horacio "El Negro" Hernández, saxophonist Donald Harrison and several other seasoned talents - all of whom collectively serve as further evidence of the kind of creative energy and magnetism that she radiates.
Customer Review: Can't get it out of my head
I'm no musician and cetainly no jazz expert. I just love beautiful, interesting, melodious music. This album took my breath away. Every time that I listen to it, I hear something new that catches my ear. The album seems to be packed with talent, but that combination of voice and bass is something else altogether.
Customer Review: Pure Talent
Ms Spalding is an incredible talent. She has been blessed with both an amazing musical ability and is already an accomplished college instructor. Take advantage of the opportunity to see her perform if she happens into your area.

The first dance at a wedding has traditionally been a slow dance, usually a waltz or something similar. But what if you and your fianc aren't the waltz type? What if you want something more fun and energetic? You've probably thought about this quite a bit and are wondering if it would be too odd to do something different. Would it be better to just go ahead and do a waltz and forget about it?

Absolutely not. If you want to do something different for your first dance, then you should. Your family and friends know you, and they love you. They want to see you dance in a style that reflects your love for each other, to a song that you love. Odd would be watching a lively, energentic couple waltzing their way through a song they don't like very much just to get to the rest of the music and have some real fun.

If you come out and do a Cha Cha for your first dance, on the other hand, not only will the whole room cheer, but it will be a first dance that nobody, especially you and your new spouse, will ever forget. You'll have a fantastic time doing it and your friends and family will be absolutely entranced.

Nearly any style of dance can be customized to fit into your wedding. If you want to do a classic dance, a Foxtrot or Quickstep can be adjusted so that your dress doesn't get in the way. If you want to perform a dance that's more passionate, but aren't sure if it's appropriate for your wedding, that's nothing to worry about. Even a passionate dance such as a Tango or a Rumba can be toned down a bit if you like.

When you and your fianc come in for your wedding dance lessons, remember that this dance is being customized just for you. If there is a step you are having difficulty with, we can work on it until you've got it or we can change things a bit to make it easier. If there is something that you don't like or aren't comfortable with in the original choreography, that can be modified as well.

If you would like to do a different style of dance for your wedding dance, but want your family to join you as well, consider choosing two songs for your first dance. You and your new spouse can perform your first dance on your own during the first song, then the DJ can invite your friends and family to join you on the dance floor for a more traditional dance style when the second song begins.

When you're at your wedding, remember that more than anything your family and friends are there to celebrate with you. They want to see you and your new spouse enjoy yourselves and have a wonderful time on your special day. Nothing could be more lovely and more memorable than sharing a bit of your hearts with the people you love by performing a dance that truly reflects the love you feel for each other.

Learning to dance is the same as any new skill. It takes patience and practice. Unlike other skills though, dance lessons are fun at every stage. Yes, it becomes more fun the better you get, but all beginners in my lessons have fun right away.

So if you are having fun right away, imagine how much fun you have when you can move your body confidently on the dance floor. Dancing really is a great way to get fit, meet people, improve your confidence and have fun. For private or wedding dance lessons visit my site: http://www.dancevogue.com.au/

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